Cops And Robbers IS Gun Art At It’s Best…

Click on photos to enlarge!

Gun as art had seemed to have had its heyday in the 1970s. A lot of historic guns were engraved and are priceless today. There are engraved guns that are not so special, and there are the Rembrandts and DiVincis that belong in a well guarded museum.

In the 1970’s a private collector had two unfired and perfect early manufactured blue Smith & Wesson, Model 27s in .357 Magnum caliber. These were chosen for this art project of a wild imagination. That was the gun chosen by J. Edgar Hoover’s G-Men of the FBI. A large frame gun that could handle the increased pressures of the Magnum cartridges used to penetrate the vehicles of the infamous motor bandits of the Great Depression.

John Dillinger and a short list of bold bank bandits were hunted by the FBI. The crimes were indeed notorious and they inspired an endless stream of books and movies.

They also inspired the Leonardo DiVinci of gun artists, Leonard Francolini to create one of the finest masterpieces ever made. Francolini is undisputed as the best engraver ever to work at the Colt Firearms factory in Hartford Connecticut.

Francolini was on his own being commissioned by the wealthiest gun collectors in the world to do his magic. In that era, Cops and Robbers was born.

The pair of exquisitely engraved revolves represent both sides of this story. One revolver is dedicated to the Robbers and the other to the cops hunting them.

Gold inlay is profusely used to recreate faces and places involved in this rich historical period. The artisans of Eagle Grips of Carol Stream, IL partnered with Francolini creating the elephant ivory grips, accessories and the hand carved, rosewood case that houses this one of a kind pair.

They are for sale if you have the money. The price today is a cool $100,000. Send me an e-mail or leave a comment that won’t be disclosed here if you dare.

Official Crimefile Review Of Public Enemies

Who is that handsome lad in front of the Biograph Theater? Click to enlarge the picture.

Los Angeles, CA—This is a film I had to see. It culminates in Chicago with the ambush and killing of John Dillinger on a warm summer evening.

Dillinger was one of the more ruthless of the motor bandits that engaged in takeover robberies of banks during the Great Depression. Make no mistake, innocent people were killed and cops were murdered in the line of duty. Despite it all, Dillinger became a folk hero and icon because he went after what was perceived as the evil and greedy bankers.

J. Edgar Hoover built the FBI based on smoke, mirrors and some of the slickest public relations moves ever. He wisely used the intelligence his bureau gathered to extort funding for the FBI and his own professional longevity. Our sleazy politicians were and are always ripe for extortion. Anyone wiretapping them can own them.

Melvin Purvis was the real hero of the War on the Motor Bandits. When Purvis’ profile became too large, Hoover dumped him. Purvis committed suicide in 1960.

This Dillinger story needed to be told and Chicago’s own Michael Mann and his Forward Pass Productions were the master filmmakers to do it.

The cast and crew was top notch. Johnny Depp became the young Dillinger. Christian Bale rocked as Melvin Purvis.

The real challenge was to recreate Chicago, Tucson and Crown Point Indiana into the 1930’s setting. The 1930’s costumes, cars, guns and overall look was solid. The recreations of the daring Dillinger escapes and the Little Bohemia Lodge shootout in Wisconsin were flawless.


The display and roar or the Thompson Chicago Typewriters and the BARs were beyond awesome. I was able to actually see and handle the guns used in the film with my long time friend Raj Singh of Eagle grips. Singh was involved to make sure the gun’s grips were perfect for the period.

Dillinger was a criminal with real celebrity, rock star status in a difficult time in American history. Michael Mann became a historian despite bringing us some scenes that never happened in real life. But we can’t forget there was the man, and his myth. The myth was no small part of the story.

Johnny Depp once again showed he can become anything or anyone and make it all so real.

I would have like to have seen the women in Dillinger’s life explored more but that would have added an hour on to the film. I only wish it were possible. The two hours of sheer entertainment of this film was too short for me.

On a side note: I have it on good authority that Depp fell in love with his Chicago typewriter and took the necessary steps to lawfully acquire that collector’s item.

The film was a classic and well worth the price of admission. Michael Mann pulled it off yet again.

Full cast and crew information from the IMDB is here.