Showing posts with label German Film Funding. Show all posts
Showing posts with label German Film Funding. Show all posts

Tuesday, November 11, 2014

Germany Is Becoming the New Hollywood with a Vengeance!

Los Angeles, CA—It was in 2011 at the Goethe Institute across from the offices of the Screen Actor’s Guild where I learned about the generous film funding offered by the German government.
A panel of leaders in German film and government funding spoke to American filmmakers explaining the process. 
This was as filmmakers were given little choice but to flee the extortionate taxation of California’s politicians that have squeezed this important industry virtually to death.  Hollywood’s loss is certainly Germany’s gain. 
Germany has learned that funding films creates production, jobs, and wealth as it promotes art in a big way.  In the end the German government realized tax revenue by simply priming the pump. 
Whether it’s a Liam Neeson thriller, or one of the many edgy Quentin Tarantino films and so many in between, they’ve been funded in part by Germany.  The catch is they agreed to simply producing a percentage or the entire film in Germany.
The films themselves have been wonderful.  Frankly most of the films would never have been made without the German funding.  Simply put, our German friends are providing opportunities for American writers, actors, directors and producers to do the work they love.  Of course the same holds true for the German counterparts. 
The world’s film library has become so much richer because of some dedicated people promoting this concept.   I’ve been fortunate to make friends with some of these terrific people. 
I’ve got a special fondness for the German people since my days as a conscripted U.S. Army medical corpsman serving there 1968-70.   
If you want to get your film made Germany may well have a solution for you simply by finding one of many gifted German producers willing to work with you. 
Here is a reel of some of the films created with funding and created at Studio Babelsberg In Berlin:

Here is a video that event I attended that explains the ins and outs of German film funding:

Sunday, September 28, 2014

Carice van Houten to Play Leni Riefenstahl the beautiful actress, singer and Pioneer Film Director

Leni Riefenstahl

Carice van Houten
Berlin, Germany—I first talked about this last February when there was a tease article in Variety Magazine.
The Jessie Owens story is coming to the big screen.  The film titled, Race is starring Stephan James as Owens and he is joined Jeremy Irons and William Hurt in this film.  Stephen Hopkins is directing the film.  Shooting began this week in Berlin.
The multi-talented Dutch actress, Carice van Houten who happens to be my personal favorite has signed on to play the legendary German film director Leni Riefenstahl.
Van Houten was cast in the once in a lifetime role of the accidental Dutch resistance hero, Rachel Stein / Ellis de Vries in Paul Verhoeven’s film, Black Book (2006).   That’s still is my favorite film of all time!
Today, van Houten graces the Game of Game of Thrones cast as the Red Priestess, Melisandre.
Riefenstahl was a gorgeous dancer and actress and genuine contemporary of the late great Marlene Dietrich.  The events of 1933 in Germany would change her life. 
Riefenstahl was an incredibly talented woman who took advantage of an opportunity within Adolf Hitler’s emerging Third Reich to make films with virtually unlimited budgets.
Riefenstahl was not anti-Semitic or any kind of a racist.  She was an opportunist that simply rose to the occasion when she got her chance.
One of her trademark masterpiece films, Triumph des Willens or in English Triumph of The Will is banned today in Germany.  It’s filled with amazing camera shots both static and aerial that had never been done before in cinema.  
That film was an epic propaganda piece designed to make Germany love their new leader who promised them hope and change and during a very bleak period in German History.  
Riefenstahl matched her stunning images with music and the film became an undeniable hit.  Nazi propaganda aside Riefenstahl did exactly what film directors are supposed to do.
Riefenstahl’s greatest epic was her documentation of the 1936 Olympics. Hitler decreed that Blacks and Jews could not take part in this event but relented when Germany would not be allowed to host the event
We all know what happened with that legendary African-American track star Jessie Owens, to Hitler’s chagrin defeated all of the world’s greatest runners.
Riefenstahl’s spectacular film of Owens' victory has been seen millions of times and it’s still being shown today nearly 80 years later! Riefenstahl created the template that sports photographers everywhere still follow today.
Riefenstahl invented camera movements using aircraft, sliders, dollies and jibs that are being used by filmmakers everywhere today.  Imagine what she would have done with the multi-rotor camera drones in use today.
Riefenstahl was sought after by Walt Disney but her alliance with Hitler spoiled that.  She was nearly tried as a war criminal and found herself punished and precluded from doing what she preferred in Hollywood.
Riefenstahl became a documentary film maker that made groundbreaking films of African tribes and oceanographic scientific films until her death at age 100 in 2003.
Riefenstahl was also known for having a boyfriend some 40 years her junior! 
Okay i admit that I’m in love with van Houten’s amazing talents. I know this woman is exactly what the Oscar’s Best Actress Award is all about.  I love her singing too! I often listen to van Houten’s album, See You On The Ice as I drive around L.A.
I only hope that van Houten is able to book more of the blockbuster films she deserves.  If I was somehow van Houten’s agent, I’d make that happen!


Wednesday, May 07, 2014

Languages, European Filmmakers and Stars that Deserve Better!

Film Director Paul Verhoeven directs a scene from Black Book
Berlin, Germany--I’m blessed in recent years to have made some wonderful German friends that work in the German film industry as filmmakers or are involved with film funding.   If you’ve not noticed, Germany has become very serious about making great films.  Many of them are being made in English!  The best is yet to come! 
My all time favorite film is Black Book.  That terrific film was funded in part through generous German government film funding.  This exciting, Paul Verhoeven, World War Two thriller is actually filmed in mostly Dutch but also in German, English and some Yiddish depending on when and where the scene take place.  Most of the European stars speak English and none better than Carice van Houten who won the, once in a lifetime staring role of the accidental hero, Rachel Stein.
Europe is a linguistic melting pot.  Italians, French, Germans, Dutch, and the rest of Europe’s population are encouraged and taught in school to speak English.  Yes, many Europeans speak languages other than English but for most that are caught up in language conflicts English is  nearly always their salvation.  
I love languages and when I was conscripted into military service thankfully I wound up in Germany rather than Viet Nam.  I immediately took to learning Germany’s customs and language.  Speaking a second or more languages is a gift of empowerment.  It turned out that I really loved Germany and today wish I’d never left when my military commitment ended. 
Unfortunately the English speaking nations have not taken to learning the European languages.   Filmmakers have bridged the language gap with subtitles.  That seems simple however it’s impossible even for accomplished readers to concentrate on the film images being shown and reading the subtitles.   I know too many Americans that for the most part are unwilling to read a movie.   Was you audience so busy reading the subtitles that they missed the film? 
I have a better solution!  Make the film in the native language.  However in addition, make it in English.  Most actors in Europe speak English and speech coaches can work with actors on set that need help.
As each film scene is set up it can be shot first in the native language and reshot in English.  The actors will need two sets of their script sides to study.  The editing process will take longer but since the scenes are duplicates, it should not be difficult.  The actors should not find this difficult since they're already in the moment. 
The benefits for European filmmakers and the actors will be huge!  The films will sell to a much larger audience and the actors will be seen worldwide.  This is about profits and careers!  Is the actor or actress a Dutch or German star or an international star?   American or British actors don't deserve better exposure than actors of other nations.  In the end, talent not the country of orgin should determine the fame and fortune of the worlds actors and filmmakers. 
Instead of simply competing for the Best Foreign Film at the Oscar Awards,  films could then win awards in every category!  I want to see my favorite actress Carice van Houten get a nomination and actually win the Best Actress Award.  
As for Black Book, it was a genuine masterpiece the cast and crew were amazing to say the least.  The story was based on fact however they used a good bit of artistic license.  If you’ve not seen Black Book you must!  Below is the trailer for this great film:


Saturday, March 22, 2014

The Crimefile News Review of, The Grand Budapest Hotel

Los Angeles, CA—Most of my visitors know that I’m an actor, writer, and video producer in addition to being a private investigator.  Along the way I have found some wonderful friends involved in German filmmaking and funding.  I’ve got two film projects of my own in development.  With a lot of luck maybe something will yet see production. 
Let me begin by letting you know a little about Germany’s partnering with American film producers.  Germany is no small player in making top quality English speaking films. 
For well over a year I’ve been hearing buzz about this film produced by the prolific American producer Scott Rudin and Berlin’s Studio Babelsberg.  Germany is dead serious about making terrific and in recent years given generous film grants to producers to make the magic happen.
Some recent past productions funded by the German government are some of my favorites such as Black Book, Valkyrie, Inglorious Bastards and The Book Thief are a few wonderful examples. 
California has chased away filmmakers with excessive taxation right into the loving arms of Canada and Germany.   American filmmakers are finding Germany has so much to offer them in every possible way. 
The German film locations are amazing and different.  Reunified, Eastern Germany has loads of untouched real estate spared from modern development because of long time Communist control.  The more modern metropolis locations are in the Western Cities of Germany.
Now it’s time to talk about this awesome film!
This Wes Anderson film is a real adventure and a wonderful farce.  It has an all-star cast however recognizing these actors will be a challenge because of superb makeup and costumes. 
The cleaver writing was only surpassed by the great delivery of the lines by the cast.  The film is non-stop entertainment revolving around the adventures of a hotel concierge and a lobby boy.   You will find out our concierge goes the extra distance to make sure his elderly, female and rich guests are comfortable.
The stars pop up one at a time and they will keep you guessing and laughing even after you’ve gone home. 
I’ve told you enough and don’t want to spoil the film for you.   Go see it!  I will buy the Blu-Ray DVD when it released for my collection. 
The cast includes:  Ralph Fiennes, F. Murray Abraham, Mathieu Amalric , Adrien Brody, Willem Dafoe, Jeff Goldblum, Harvey Keitel, Jude Law, Bill Murray, Edward Norton, Tilda Swinton and Tom Wilkinson. 
I must warn you that the trailer below does not do the film justice!