Conservative Themed Film Making All But Dead, For Now

Los Angeles, CA—There is no question that the capital of America’s subversive, Leftist, Marxist philosophy is Hollywood. The who’s who of stars, writers and directors love to outdo each other showing their allegiance to all things Left.

Of course these clowns make their money not from a Socialist system but a free market where they can earn tens of millions for each film. They live lavish lifestyles as they castigate the American way of life and buy their Communist friend’s various political offices.

Hollywood’s Leftist elite use their fame as a Marxist pulpit as they whine about the blacklisting days of the 1950s. The fact is Hollywood was always loaded with Communists that professed hatred for the American system of government. That still is true today.

Blacklisting was and is real today. Conservative themed films are very rare but are usually huge moneymakers if they are allowed to see the light of day. The films, Dirty Harry and Death Wish attacked the Social Justice crowd’s ideals as the film’s criminals were stopped dead in their tracks through justifiable homicide. Both of these films saw life in numerous sequels.

The film, Red Dawn made money at the box office but also made a pariah of its director and writer, John Milius. That film depicted heroic high school kids defeating a Communist invasion on American soil.

I have experienced firsthand rejection of my film, Come Friday that is based on a true story of a Chicago policewoman, because those in Hollywood can’t deal with the subject matter. The film’s villain is an African-American that viciously kidnapped, raped and robbed scores of White women on Chicago’s Gold Coast. After the justice system failed and the serial rapist was let go he took up his old ways only to be shot dead by a lovely, off-duty recruit policewoman he kidnapped at gun point.

Incredibly, I had offers to make, Come Friday if I’d change the race of the rapist or his victims. They told me it was just too racially charged! In this case the purveyors of Social Justice and Marxist ideals in the film industry just could not deal with the truth.

Things are slowly changing because the financing arrangements have become far more creative. The cost of equipment for making films is only a fraction of it once was and many more filmmakers know this craft.

There is no reason a large film studio can be built far from Hollywood where control is centered with the investors and actual artists rather than Leftist talent agents, gone wild like in Hollywood.

Learn more about Come Friday here.