Showing posts with label Ann Leybourne. Show all posts
Showing posts with label Ann Leybourne. Show all posts

Saturday, April 05, 2025

The Mysterious Disappearance of Chicago’s Policewomen: Once Seen in Skirts, Now All Gone Without a Trace!

Once upon a time, Chicago had policewomen—real, skirt-wearing, gun-carrying women of the law. They weren’t the hardened patrol types, but they were there when needed. Their duties were almost always centered around dealing with women prisoners, abandoned children, or the offspring of arrested adults. The policewomen were corralled into the Youth Division, dealing with runaways and abused or delinquent kids. And yes, they were protected—zealously so. You wouldn’t catch one out on a midnight beat or in a dangerous situation. They had the same training and powers as their male counterparts and carried guns, but danger? Not on their watch.

Back then, the sight of a policewoman was as rare as a unicorn. In the 1960s and early ’70s, there were just 90 policewomen in a force of 14,000 men. Adding to the confusion were the “matrons”—female officers limited to tending women in lockups, sworn in but barred from carrying firearms. Their stylish uniforms, reminiscent of airline stewardesses, were adorned with the police star and patches, just enough to set them apart.


Gunfights? Almost unheard of. Only two stories stand out: One, a policewoman, Helen Dewitt caught a bullet in the calf while riding in a marked car around 1970, and the other—a legendary case—where one policewoman fired her service revolver at her detective husband. He was so terrified, he quit the department and moved to Las Vegas eventually became a celebrated screenwriter. The department, however, shrugged off the incident without disciplinary action.

It was a cushy gig—safe, secure, and decently paid. With only 90 positions available, job openings were rare, and competition was fierce. The most recent policewoman’s civil service exam saw 7,000 hopefuls vying for 30 positions that would open in the next decade. Naturally, those who made the cut were bright, better educated, and resourceful—intellectually a cut above many of their male colleagues. They were fast typists, sharp writers, and typically had their wits about them.


Then came the lawsuits. Equality was demanded. In the mid-1970s, the grand experiment began—integrating women into field patrols alongside men. Some women proved braver than their male counterparts, while others…not so much. But one thing was clear: their sharp minds often de-escalated situations where testosterone failed.


Soon after, the department gave policewomen the option to ditch their skirts and take on the title of “patrolman” (because “patrolwoman” wasn’t a thing yet). Most jumped at the opportunity, especially since it meant they could climb the ranks to sergeant, lieutenant, and beyond. From that point on, new academy classes were fully integrated, and women competed alongside men. However, as standards dropped to meet diversity and inclusion goals, gone were the intellectually superior, well-educated policewomen of the past.


Federal Judge Prentice Marshall’s ruling on civil service testing threw white males out of contention for appointments or promotions, ushering in a new era. The matron ranks also vanished, as they too were folded into the patrol division—despite never having fired a gun before. Many didn’t even own one! But training soon followed, and the matron role became a thing of the past.


Today, the department is a fully integrated mix of men, women, and now even transgender officers patrolling Chicago’s streets. As for those original policewomen? They faded away, one by one, through retirement and attrition, leaving behind only their stories and a few fleeting memories.


Oh, and in the end, four female Chicago police officers have lost their lives in the line of duty: Dorelle C. Brandon (1984), Irma Ruiz (1988), Ella Grace French (2021), and Areanah M. Preston (2023). But those brave souls were far from the skirted policewomen of old—they were the new breed, forged in the modern, integrated force. The skirts? Long gone.


Personally, I miss seeing some of the prettier Policewomen in those little pencil skirts and high heels.  

Sunday, May 05, 2024

Who shall play Ann Leybourne in my film, Come Friday?

Cailee Spaeny is a young actress with obvious natural talent.  Her name for me is quite a mouthful that survived getting the usual Hollywood rename.  Cailee is an unusual but very charming and fitting name for this Cinema Princess. 

Cailee recently got my attention in the Alex Garland film, Civil War.  Her character was a combat photographer/intern, Jessie.  She was using her father’s obsolete, three-decade old Nikon film camera developing her film in the field! Three experienced journalists reluctantly agreed to let Jessie travel with them from NYC to Washington, DC through war torn and often hostile territory.  Jessie fumbled her way along under the limited protection and guidance of the others.  She proved only too well, she’d risk her life to get those compelling money shots.  


The character, Jessie and the others in the film give viewers a look into the lives of those journalists that bring the horrors of war to our dinner tables.  We too often take for granted their contributions to history.  


As for Cailee and her future, the sky is the limit.  I want very much to see this talented actress play the accidental heroic, Chicago Policewoman, Ann Leybourne.  This would be in my film, Come Friday.  


The majority of people today have never seen a policewoman, not to be confused with today’s female police officers.  This was at an historical time when policewomen wore skirts and heels.  Their duties were limited to taking care of neglected, abused, or delinquent children.   However, these women were trained under state law requirements to do things that they would never do in their entire careers like routine, patrol or issuing moving traffic citations.  They of course, had the full power of arrest and were required to carry firearms 24/7.  


My script is dramatic, thought-provoking, exciting, and at times incredibly humorous.   The period’s legal system failures are exposed and that may anger some viewers.  The history of the explosive race relations of that difficult time have not been sanitized.  Yes, there was a deadly war going on between the police that were mostly white and the Black Panther Party.  


Whoever portrays the complex character of Ann Leybourne will face challenges.  My money is on, Cailee Spaeny. I’d not be surprised that Cailee picks up a trio of Best Supporting Actress nominations from the  Gloden Globes, SAG, and of Course that most coveted Oscar. 











Friday, November 06, 2015

My Reaction to Quentin Tarantino’s Recent Denouncement of America’s Cops


Hollywood, CA—I salute every performer or artist in the world for his or her contributions both big and small.  What a horrible world we’d be living in without the art, music, films, plays, dance and comedy.
We all have our favorites celebrities.  Sometimes we are disappointed or shocked upon learning their personal politics or attitudes.  Sean Penn, Jane Fonda and Barbara Streisand immediately come to mind. After Hollywood's Blacklisting of Leftist artists in the 1950's it's now those artists on the Right getting the treatment.  Mel Gibson and James Woods are two of today's examples.
I’m perhaps overly tolerant all people when in comes to those whose views are totally opposite of mine.  Sometimes those people have been indoctrinated their entire lives and believe every lie ever broadcast or published.  My job is to lead them by tolerance, kindness and example.
I’m a really Conservative Libertarian.  In Hollywood I’ve meet some really Left of center people that are incredibly talented and kind.  Actor Martin Sheen is a great example.  Sheen told me how he wanted to be a NYPD officer, applied and was promptly rejected when he fell ½ inch too short.
Sheen actually wanted to get my script, Come Friday about the Chicago policewoman hero Annie Leybourne made into a feature film. .  He spent some serious time hooking me up with his talent agency, ICM.   The film has still not yet been made because of issues not under his or my control. 
Recently mainstream media has given a massive soapbox to professional race baiters like Jessie Jackson and Al Starpton.  Every young African-American criminal killed by a white cop is treated like a innocent victim of a KKK lynching.  This is in part because both print and broadcast media is dying and they hope to prolong their existence with the sensationalism they too often create.
Now comes a somewhat self taught and gifted writer/film director into to the limelight for making ignorant, and hurtful denouncements of the men and women of law enforcement.   Yep, Quentin Tarantino took the floor of the debate and managed to offend thousands including me.
The immediate reaction of my cop friends was to call for a boycott of Tarantino’s films.  I was hoping the law enforcement community would put more thought into their reaction showing more tolerance than Tarantino.  That was not the case however.
There is a lot more than Tarantino involved here.  There are hundreds of fine men and women in the cast and crew of his films.  We’ve all see the endless credits rolling after every film. Punishing Tarantino also victimizes them.
Do we want to kill the hope and dreams of the young actors lucky enough to land a role in a Tarantino film?
Tarantino was emotional and convinced that he was addressing valid concerns.  I’m sure he never once thought about how politicians keep criminalizing more and more conduct.  I’m sure he never though of how the politicians have turned cops into extortionist bagmen to collect excessive fines from citizens for very trivial violations.
I say that it’s okay to rebuke Tarantino but a boycott of his films that we’ve all enjoyed is not the answer.  Let’s show Tarantino that our skin is much thicker than we’ve displayed so far.  I think all of us are guilty of putting our foot in our mouths at one time or another.  Go see his new film and judge it on its own merit.  I’m not going to miss the film, Hateful Eight.
When I have my next chat with Tarantino I will let him know that more than the cops, he hurt their wives and children more by his rash remarks.  I will forgive Tarantino for his thoughtless rant just as I ask my Liberal friends to overlook mine.  It’s going to be really difficult for Tarantino to save face here.  Let’s help him along. 


Friday, August 19, 2011

You can Help Come Friday, the Movie to be made in Chicago!

Chicago, IL—In 1973 the late Ann Leybourne Erwin Biebel was a Chicago recruit policewoman. Those who were fortunate enough to know her loved her. She retired as an 018 district Civil Service sergeant. She was a great wife and mother whose life was cut too short by cancer.

My regular Chicago visitorss know the incredible and exciting story behind her valor award and Medal of Merit that the late Mayor, Richard J. Daley gave her after she was kidnapped at gunpoint and survived under the gravest extreem.

It’s a story that reflects well on the department and the superior training provided to the officers. The department needs all the image building it can get right now after years of less the desirable administration.

The City and department morale can only go up from its decline and we must wait and see what the new mayor will accomplish in the way of bringing back the taxpayers, business and jobs that have fled.

Placing the baggage of President Obama or Richard M. Daley on Mayor Rahm Emanuel is unfair. We must give him the opportunity to improve and repair the broken relationship between rank and file cops and the fifth floor of City Hall. That relationship should not be about politics but for the safety and wellbeing of Chicago’s taxpayers. Old man Daley had a great relationship the police that his son somehow managed to destroy.

I’m asking every Chicago reader to write Mayor Emanuel and ask him to offer Chicago’s full cooperation to his brother Ari Emanuel in the making of Come Friday. Ari Emanuel is the founder and CEO of Endeavor William Morris Talent Agency in Beverly Hills. He is one of the most powerful men in Hollywood who could make Come Friday an unforgettable film.

Making this film would bring Chicago revenue, jobs and there would be loads of extra roles for Chicago cops.

Once Come Friday is made I’m up to finding and creating more films that chronicle the heroes of the Chicago Police department. I just need a little help getting the first one off the ground.

The Honorable Rahm Emanuel, Mayor of Chicago
City Hall
121 N. LaSalle Street
Chicago, Illinois 60602
Direct him to
http://www.crimefilenews.com/2005/12/origin-of-feature-film-come-friday.html





Saturday, November 20, 2010

Lindsay Lohan Nixes Linda Lovelace Film


Hollywood, CA—When I heard Lindsay Lohan was set to play the late porn star, Linda Lovelace, I saw this as a career ender. That’s a role that should be played by a real porn star without a gag reflex and nothing to lose. This was a terrible role for Lohan.

The other story is the production company was unable to find insurance to cover this troubled actress. getting out of that film was a gift for Lohan. Now we can see what unknown actress will become world famous for her ability swallow monster man meat.

Lohan is both pretty and a talented actress. She was raised in a dysfunctional family and advised by both solid entertainment industry professionals and some real trolls. Lohan was a victim of her own early success and wealth.

Lohan came out the successful Disney machine. Another, alumni of Disney is my dear friend, and Golden Globe winner Ann Jillian. Ann has express deep sorrow for Lohan difficulties as have I. I think discarding this woman at her age is pre-mature. Ann wants Lohan to use that natural actress discipline to defeat her other demons too.

Lohan needs to resurrect herself from the bad friends and choices she made. Getting out of the Lovelace film is a great start. There’s no reason that Lohan cannot achieve the kind of scandal free success enjoyed by Jody Foster, Meryl Streep, or Hillary Swank.

I think it’s fair to say that Lohan is the casualty of a failed Drug War. I can’t help but think of the great talent of a lad that was almost consumed by drugs and a prison cell. That is Robert Downey, Jr. Downey got serious and took the cure and has been terrific in the many films he’s done since.

Can Lohan or Downey fall again? Sure that can happen but it’s time to encourage rather than discourage these two.

Lohan has the right looks, and she’s now the right age to play the lead of my own film project, Come Friday. The true story of a heroic Chicago policewoman back in the days all policewomen wore a uniform that consisted of heels and a skirt.

A lot of Chicago cops read my blog and would as I do have concerns that whoever plays that role never bring the late policewoman Ann Leybourne discredit. I invite and expect some comments from them on this suggestion.

I think this role would inspire Lohan’s recovery and help her to be all she can be. I’ve discussed this idea with Ann Jillian and her husband of many years, retired 023 District Chicago police Sergeant Andy Murcia. They, like me think she right for the role if I can ever get the film financed.

Whatever happens, Lindsay Lohan deserves a chance to get on with her life. Remember Lohan has never physically hurt or stolen from anyone.

Wednesday, June 16, 2010

Warren Buffett and Bill Gates want to spread their wealth and I can help!



Chicago, IL-- These two money making giants say they want to give away half of their money. Okay I want to get into this line! I need several million dollars to make my film, Come Friday about heroic Chicago policewoman Ann Leybourne. It was New Year’s morning when serial rapist and career criminal Robert Ellis stalked and kidnapped the 25 year old recruit policewoman.

Ellis kidnapped and raped nearly 50 attractive young women on Chicago’s gold Coast. On a legal technicality he was set free and his crimes continued. Some really great cops made Ellis their personal target but were never able to bag the cunning rapist. Ellis wore a surgical mask and was always armed with a gun or knife. He always struck on Friday Night. Chicago’s media dubbed him The Friday Night Rapist.

I want to employ a director, actors, extras, editors as I pump some needed cash into Chicago’s struggling economy. There will be lots of work for off duty Chicago cops.

This struggling film producer and screenwriter must have the cash in order to open some Hollywood doors to tell the exciting story of a real American role model. Yes, Ann Leybourne absolutely deserves the honor.

You generous billionaires could do something really fine. As for any profits from the film, perhaps could be turned into a scholarship program for the children of Chicago’s finest.


Thursday, April 29, 2010

Hollywood Is In A Creative Depression


Los Angeles, CA—Where are they? Where are the films that you really want to see? The compelling stories brought to the silver screen that have any relevance to our lives aren’t being made anymore.

Animations, robots, and comedies that barely make us chuckle are wasting space at the cinema’s. Gone are compelling stories of real heroes, courtroom dramas or historical events.

Personally, I want more actor driven films without the ridicules special effects that are just silly and not believable.

When I was visiting the Bendlerblock military compound in Berlin last November, I found 5000 stories there waiting to be told. That is where Col. Clause Von Stauffenberg and others planned the bombing attempt on Adolph Hitler’s life. Today a portion of that facility houses the German Resistance Museum. The stories here of of the heroes that were arrested tried and executed for resisting Adolph Hitler and the devastation he brought down on the German people. The stories documented there are all incredibly compelling and full of adrenalin fueled intrigue.

Nearly every courthouse in the entire world has those stories of justice served or gone wrong that would inspire, thrill and entertain moviegoers. Many of the best stories are long forgotten but none the less powerful and relevant to our lives.

Great films are out there that are not vehicles of the obvious product placement spam, action figures and the rest of the crap we did not spend our money to see.

My own film about recruit Chicago policewoman Ann Leybourne’s ending a career serial rapist’s reign of terror over the city’s North Side would put viewers on the edge of their seats. One beautiful young ingénue selected for brutal victimization by a cunning criminal was able to accomplish what Paul Kersey or Dirty Harry Callahan could only do in fictional thrillers. This film, COME FRIDAY is not so expensive to produce but will captivate and inspire the audience.

Every week I look for new movies and released DVD’s but can’t seem to find anything worthy of two hours and the price of a ticket. The Hollywood investors have never had a better opportunity to make quality films with so much expensive garbage out there. They just have look beyond the talent agencies that have lost their magic.

Film investors need to find a great story, land a decent director and avoid input from the large talent agencies their bad ideas that have not been working. Making films that’s actor driven is what movie goers really want.

Here is a great film waiting to be made that moviegoers are waiting to see. .

Thursday, April 02, 2009

Hollywood’s Leftist Film Making Control Can Be Sidestepped

Hollywood, CA—I’ve been peddling a film, Come Friday that’s based on a real Chicago policewoman’s story for a few years now.

I’ve had big problems getting the film produced because it involves a Black serial rapist that stalked and attacked scores of pretty White women. The rapist was arrested after a prolific wave of sexual cruelty and beat all of the charges in court on a legal technicality.

The rapist was freed only to select the wrong beautiful young White woman for his horrible violence. She was an off-duty recruit policewoman and she was somehow able to stop this predator forever.

I had several offers to make the film if I would agree to change the race of either the rapist or his victims. They told me that the audience could not handle the explosive racial reality of this real 1973 event. I refused to make theat change and as a result I’m still in search of funding for this project.

The Big Hollywood talent agencies control everything from the casting, production and distribution of films. They are deeply committed to the far Left of politics and fight to control the standard for political correctness in film making. That is starting to change.

Today the art and science of film making is much more common and the price for the equipment to make films has dramatically decreased. Chicago or any large city in the world can replace Hollywood as the film capitol.

Yes there were a few films that were made violating the rules of Hollywood and had great success. Death Wish and Dirty Harry gave American’s a different idea on fighting crime. You can count the films with a conservative or politically incorrect point of view on your fingers.

There is a lot more to Conservatism than being tough on criminals that are in real stories played out in history that deserve to be brought to the silver screen.

More and more the movie theaters are being replaced by the home theater. Distribution is becoming democratized by the DVD and other digital forms. The movie theater owners are getting desperate to attract and keep patrons anyway they can. Like never before money talks, even Conservative money.

There is a somewhat small group of Conservatives in Hollywood and I met many of them at a dinner honoring Medal of Honor winners at the Reagan Presidential Library a few weeks ago. For me attending this event was a treat of a lifetime. Meeting he greatest living military heroes and the best of Hollywood honoring them in one place was way beyond cool.

Money for Conservative themed movies will make a difference in the political climate and our culture.

Tuesday, March 03, 2009

Motion Picture Films Are Better For Investors In This Uncertain Economy.


Chicago, IL—It was a cold 1973 New Year’s incident where a young woman survived a kidnapping by a prolific sadistic rapist on the fashionable Near North Side. It became an amazing and much larger story of a broken criminal justice system, a terrorized neighborhood along with the self-reliance and bravery of a beautiful recruit policewoman, Ann Leybourne.

This true story, Come Friday needs to be seen in a theater near you and it may happen as some investor sees an opportunity to place his or her money in an industry that thrived during our Great depression. Entertainment somehow managed to survive while other industries drowned in a sea of red ink.

Normally feature films are a riskier investment but the payoff can be quite handsome. Now is a better time than ever to evade the stock market or even more dangerous places for your money.

Any investor can take the project to a talent agency and get the film made. directors, actors and other needed talent will be made available and the film will get made for sure. The investor/s in fact become film producers.

The investor safety net is an experienced entertainment lawyer and accountant with malpractice insurance. Come Friday needs no special effects and is driven by actors rather than expensive gimmicks and that puts this film the low budget category.

My rough guess is somewhere between $5 and 7 million. The true cost to make this film can be determined easily enough.

I’d love to hear from anyone who is looking to escape the stock market or other investment schemes that are all tanking. I can be contacted by clicking on my profile picture on the right side.

More about Come Friday here

Sunday, November 09, 2008

Investing In A Feature Film May Be A Good Idea Today.




Los Angeles, CA—As our economy s being flushed down the toilet along with our retirement and 401K plans we look in other directions for our money that's left. Whereever we put our money it is risky these days.

Movie investing in considered somewhat risky but people do that and sometimes do it very well. For it to work you need a very trustworthy bean counter that will protect the investors.

Not long ago I was chatting with actor James Woods about my own film offering on the life of the late but heroic Chicago Policewoman Ann Leybourne, Come Friday. This amazing story still needs to be told and hit the big screen.

Woods told me about former LAPD cop, Joseph Wambaugh’s 1979 film he was in, The Onion Field. Woods played LA cop killer, Gregory Powell.

At the time Wambaugh was disillusioned and pissed off at Hollywood after they took one of his better books, The Choirboys and made an unsalable and unwatchable movie mess of it.

There were hard feelings at the time and Wambaugh wanted to tell the intriguing and horrific 1963 saga of two career criminals that abducted two LAPD detectives after a traffic stop. The two killers were able to abduct the detectives and brought them to a Bakersfield, CA area onion field. One officer, Ian Campbell was executed by Powell and his sidekick, Jimmy Lee Smith. The second detective Karl Hettenger somehow managed to escape and eventually testified against the two kidnapping-killing thugs.

Wambuagh crafted this compelling story into a book and screenplay and nobody in Hollywood wanted to touch it. The onion Field sat undisturbed for years until Wambuagh was able to get retired cops to invest in the project. That had never been done before. Even more than a great feature film was born, the old coppers made a handsome profit.

Woods should have won an Academy Award for his portrayal of the despicable killer Gregory Powell. Woods was absolutely unforgettable as he played the hateful murdering bum who is still alive in a California prison today. Powell now 84 years-old credits Wambaugh's movie about the crime for his never getting a chance at parole. Fellow killer Jimmy Lee Smith was paroled in 1983 but kept violating and getting returned until his 2007 death at age 76 while in LA County custody on yet another violation.

The cop killing duo originally were sent by a judge and jury to suck some gas at San Quentin but the California Supreme court prevented that from happening.

As for the surviving cop, Hettinger lived with severe bouts of depression, always ashamed for having run from the scene. The LAPD bosses wrongfully treated him as a coward.

Later in life, Hettinger seemed somewhat better adjusted. He won an appointment as a Kern County supervisor in 1987. Hettinger died in 1994 of cirrhosis of the liver, at 59 having never really escaped from that terrible onion filed.

As for Come Friday which is about a beautiful young, recruit policewoman, Ann Leybourne and a cunning career criminal, serial rapist and a kidnapping gone very wrong. That story needs to be told. Perhaps as James Wood’s suggested the funding may come from an unusual source like retired cops.

I can be reached through My profile about Come Friday.

A side note: That wildly popular TV series The Twilight Zone sat in a lonely file cabinet for nearly 13 years before someone took a chance and produced the series.

Here is the story behind Come Friday.